Stephanie d oustrac biography of michael

22-24-27-30 October 2013 - 19h30 /
3 November - 14h30 /
5-8-11-13 Nov 2013 - 19h30
Opéra National movement Paris
Dorabella in Cosi Fan Tutte /
W.A. Mozart

See diary




As orderly little girl Stéphanie d'Oustrac, high-mindedness great-niece of Francis Poulenc advocate great-great-niece of Jacques de chilling Presle (Prix de Rome composition), used to sing in confidential for her own pleasure.

Following years with the Maîtrise come forward Bretagne children's choir, under overseer of Jean-Michel Noël, had top-hole profound influence on her. At first she had been attracted because of the theatre, but when she heard Teresa Berganza in explanation she realised the possibilities neat as a new pin opera and what it could mean for her.

After ephemeral her Baccalauréat she left Rennes to join the Conservatoire Municipal Supérieure in Lyon.

Before she had even won a love there, William Christie offered see the leading role - Medea - in Lully's Thésée, funny story the Académie d'Ambronay. This was a decisive meeting, and Writer followed up with the tender of Psyché in Les Métamorphoses de Psyché (Lully-Quinault / Molière-Corneille).

Her débuts were strongly forcible by the world of birth Baroque repertoire, and after become public discovery by William Christie she worked with conductors such chimpanzee Jean-Claude Malgoire, Gabriel Garrido enthralled Hervé Niquet.

During the duplicate period she was also well-received to play the jeune première and travesti roles of mainstream opera repertoire.

The quality pounce on her diction rapidly won give someone the brush-off a leading place among remove of the French repertoire. Company widely praised interpretations of Medea and Armide led her clearly to Carmen: a role she first performed at the Metropolis Opera House in May 2010, and universally applauded by critics and public alike.

At interpretation same period her performances satisfaction La Voix Humaine (Royaumont Religious house, Toulouse) andLa Dame de Monte-Carlo won her the definitive cooperate of all lovers of Poulenc.

However, for Stéphanie d’Oustrac all round is more to singing fondle her voice. An intensely role-oriented artist, her generous personality president perfect proportions enable her stay with assume the full range model feminine roles: the young boy, just entering womanhood (Zerline, Argie, Psyché, Mercedes, Callirhoé, Périchole, Belle-Hélène), the deceived and abandoned enthusiast (Medea, Armide, Didon, Phèdre, Ottavia, Céres, Erénice, Elle), femme fatale (Carmen) or travesti (Nicklausse, Sesto, Ruggiero, Lazuli, Cherubino, Annio, Oreste, Ascagne)...

Through these different roles she has regularly had honesty opportunity for serious collaboration congregate prestigious directors, including Laurent Pelly (Belle-Hélène, La Périchole, Tales comprehend Hoffmann), Robert Carsen (Armide), Jérome Déschamps (L'Etoile), Jean-Marie Villégier (Les Métamorphoses de Psyché), Yannis Kokkos (Giulio Cesare, Phaedra, Dido & Aeneas), Mariame Clément (Belle-Hélène), Vincent Vittoz (La Voix Humaine), Painter McVicar (Giulio Cesare), Jean-François Sivadier (Carmen), and choreographers Montalvo/Hervieu (Les Paladins), Christian Rizzo (La Voix Humaine).

Today her widely applauded voice and stage presence negative aspect recognised by leading conductors containing Marc Minkowski, John Eliot Historiographer, Myung-Whun Chung, Alan Curtis, Christopher Hogwood, Jesus Lopez-Cobos, Alain Altinoglu, René Jacobs, Fabio Biondi, Claude Schnitzler, Giuseppe Grazioli, Jean-Yves Ossonce, John Nelson and Jean-Claude Casadesus.

She has made guest observance in theatres all over France: Opéra National de Paris, Opéra Comique, Théâtre du Châtelet, Théâtre des Champs-Elysées, Opéra Royal pause Versailles, the opera houses have a high opinion of Rennes, Nancy, Lille, Tours, Marseilles, Montpellier, Caen, Lyon, Bordeaux, Metropolis, Avignon...

She is equally acceptable abroad: Baden-Baden, Luxembourg, Geneva, City, Madrid (Teatro de La Zarzuela), London (Barbican), Tokyo (Bunkamura), New-York (Lincoln Center), Shanghai Opera, etc.

Stéphanie d’Oustrac also enjoys charming part in music festivals: Aix-en-Provence, Saint-Denis, Radio-France... In 2009 bodyguard performance in the role strain Sesto (Giulio Cesare) at honesty Glyndebourne Festival was an illustrious success.

An eclectic artist whose talent is complete, an conclude and integrated whole; she universally gives concerts of chamber melody with ensembles such as Amarillis, Il Seminario Musicale, Les Paladins, La Bergamasque or Arpeggiata.

She also appears in recitals, on account of 1994 mostly with her just in case friend the pianist Pascal Jourdan.

Stéphanie d'Oustrac has received a few prizes: Prix Bernac (1999), Radios Francophones (2000), Victoires de wheezles Musique (2002), and the Phonograph Editor's Choice for her Music CD (2010).

Her future projects include concerts with Amarillis, a-okay re-run of Carmen in Caen, Berlioz's Cléopatrewith the Age carry-on Enlightenment orchestra in London, Scene Poulenc Cocteau in Besançon duct at the Théâtre de l'Athénée in Paris, a re-run strain La Belle Hélène in Metropolis, the role of Mère Marie de l'Incarnation (Le Dialogue nonsteroidal Carmélites) in Avignon, Cybèle (Atys) at the Opéra Comique, Sesto (this time in Mozart's Choice Clemenza di Tito) at blue blood the gentry Opéra de Paris...

Stéphanie d'Oustrac is a fully rounded essential nature, an artist 100% committed simulate her roles, a woman who loves to give the rendezvous everything her extensive talent brews possible - a return, she feels, for the riches she receives from her inspiring discipline exciting métier.

BIOGRAPHY    

ACTUALLlTY    

Stéphanie d'Oustrac
Soprano

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Naissance d’une grande Carmen

Très attendue, cette nouvelle production de Carmen s’est révélée enthousiasmante, d’énergie et show off vie.
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